This issue was brought up in a response to the similar post:
However, upon considering it further, I preferred the way it looks on the intersection. Since we are deliberately diverging from tradition, I put it there to instead highlight the importance of all four points that surround it (33, 34, 44). Also, this type of landmark is also seen in shogi, despite the playing pieces in the game being placed inside the squares.
Dropping the side and tengen hoshi was done for convenience and also in reference to modern fuseki’s emphasis on the corners.